'Zola' is a Modern Black Fairytale
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.

Superintendent Chessari is sent to run a small police station on the outskirts of Rome - a temporary posting in a difficult area, with not much backing and very few staff. His deputy, Lorenzo Corsi, is a youngster just out of the Academy, full of enthusiasm and high principles which clash with the corrupt reality of the streets and the attitude of his colleagues. The small police station seems like an outlying frontier post, a sort of backwater where recruits and hot-heads are assigned to rot. Chessari wants a quiet life, and all he does is set up a few routine operations; following suspects and tapping phones. He tries to avoid making waves that might upset his plans for career advancement. His men, however, are a bunch of loose canons, who are not intimidated by the rules or regulations imposed upon them and at times risk crossing the line of legality.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
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'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
A sweet, singalong distraction with several positive messages.