Debbie attempts to contact the spirit of her deceased husband Sam, she inadvertently contacts Srinivasan, who had just died. This contact saves his life but leaves him in a coma for years. Later, Debbie unravels mystery about Lord Demonte sacrificing people and enslaves their spirits. Can Debbie break this cycle and help Srinivasan to wake up from his coma?
R. Ajay Gnanamuthu
Director
Arulnithi
Srinivasan / Raghunandan
Priya Bhavani Shankar
Debbie
Tsering Dorjee Bawa
Dorjee
Antti Jääskeläinen
John Demonte
C. Arun Pandian
Richard
Muthukumar
Raghu's Uncle
Meenakshi Govindarajan
Aditi
Sarjano Khalid
Samuel Richard
Archana Ravichandran
Aishwarya
M. Soundarya Saravanan
Hostel Warden
Ramesh Thilak
Vimal
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.