
A hundred years ago, Immortal Master Yu Xu sealed beasts in eight states, and the Southwest scared tree turned into wilted wood (a spiritual source). In the 40th year of the Zhao Dynasty, Gu Niantong, a perished cult, wanted to break the seal of the Immortal Master, to refine the sacred tree and turn it into a tree demon to poison all living beings. Up till now, the late emperor specially ordered Tang Lingfeng, the hidden supervisor of the Demon Division, and others to command the southwest to pacify the evil spirits. Conquering the tree demon requires the giant beast created by Gong Shujia, and the way to mobilize the giant beast is the "Spirit Source Secret Technique" recorded in "Luban Wiki", ,,
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.