Demain nous appartient - Le Piège 

This reboot of The Wonder Years is told from the lens of a Black man.

Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Word of mouth has been incredible, but the film's faults cannot be ignored. 

It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.

Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.