Delivery 

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.

A Black woman centered in a box office rom-com with a happy ending and no struggle love.

A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.