Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.



In the hills of Costa Rica, Doña Carmen struggles to pass on her tribe's traditional ways of life. She must soon marry off her only granddaughter, and 70-year-old shaman Don Claudio lays his claim to the girl, who is only 12 and already impregnated by him. When the girl befriends the young son of a visiting anthropologist, it forces a collision between the modern world and the ancient one.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
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