In the early 1990s, a small-town checkpoint officer, Yao Sichen, becomes entangled in a missing truck case due to a canceled fine. To clear up the case, he spares no effort in investigating in Maniao River Village, dealing with the truck driver Yang Zhaowei and his daughter Yang Ge, village chief Zhang Changchun, security chief Chen Yongjin, Yan Xue, and the serial killer Ge Wenyong. In the end, Yao ultimately clears up a string of murder-for-profit crimes.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Chickenhare and the Hamster of Darkness explores true identity through exploration.
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
