"In the Heights" Review
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.

Genova, Italy. Francesco, Luca and Raffaele are almost thirty years old and have a baggage of anxieties that they try to drown in alcohol and late-night outings.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.