After giving up on his career as a musician, Matsumoto spends his days as an editor of OPSY, a music magazine specializing in body modification counterculture such as implants, split tongues, and the like. One day, on the company president’s orders, he makes his way to a concert by a production company-promoted band, The PEACH BOYS. However, due to how awful it is, he despairs of his life as an editor, bemoaning “what a waste of time.” After the show, he is introduced to another band by the manager. He has a shocking encounter with THE COLLECTED FREAKS, a band that burst onto the scene suddenly and without warning, unlike any other on earth. And then, “in order to love himself”, Matsumoto makes a certain decision…
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
