A Haunting Portrayal of Motherhood in "The Lost Daughter"
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.

New Orleans has the No. 1 per capita murder rating in the nation. A decade earlier, the city was dubbed the "Murder Capital of the Country". Drugs and violence controlled the streets, taking a toll on the city's law enforcement, neighborhoods, and its people. "Death Toll" illustrates this dark chapter in the city's history.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).