Chuck Watts, a fugitive wanted for manslaughter in Kentucky, has been keeping a relatively low profile as an enforcer for Andrew Max, the man who controls the strippers and hookers of New Orleans' club circuit. Unknown to Chuck, Max runs an extensive crime empire with a reach far beyond strippers and hookers--a world of violence and betrayal that quickly overtakes Chuck as he finds himself the key man in a war of competing crime syndicates. As the bloody struggle erupts around him, Chuck is driven to desperate action by one compelling motive--get out alive! (From back of box)
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
