'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Alexis Walker tries to escape her violent past, but when her best friend is killed, she returns to the streets. Unknown to her, Sabrina hunts the vigilante who destroyed her family. Two women move toward a collision neither can avoid.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
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This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.