“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

For many years, 17-year-old Paul has been in love with Saskia, the prettiest girl in school, who is two years older than him. Unfortunately, she doesn't feel the same way about him, but Paul doesn't give up. He composes a song for his beloved in order to win her heart—and start a music career. Later, Paul realizes that his song has been stolen and can be heard on a Nirvana album under the name "Smells Like Teen Spirit"! He feels triple betrayed: robbed of his just reward, his record deal, and Saskia's love. So Paul decides to complain to Nirvana frontman Kurt Cobain and follows the band, which is on tour in Germany in 1991, from concert to concert. But when he finally meets the crazy Hamburg woman Tolle, he slowly realizes that there are more important things in life than fame and glory.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!