‘Lyle’, Cool Concept, Poor Execution.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.

Mary is the conniving wife of a well-known televangelist who goes by the moniker "John the Preacher". Facing divorce with meager financial settlement, she partners with his mistress, Ginny, to rob JP of his cash fortune and split the loot. When they discover him dead from a gunshot wound to the head, their scheme starts to unravel piece by piece. Through a clever cover-up, his murder was ruled a suicide by the NYPD, but a crooked cop has other plans. When their attempt to pay off the detective backfires, a series of events unfold that reveal how the real perpetrators left them all outwitted and put out to pasture. Through a cast of offbeat characters and eccentric cameos, the story of one man's life and death takes twists and turns through the murky glint of a cocktail glass.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
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The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.