"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.

Dillon Copeland is an attractive, talented teenager who resides with his uncle in Colorado. He has a crush on Megan who is also interested in him. But Travis, the popular High School jock, likes her too and it's only a matter of time before the tension gets out of control. As the plot thickens, some VERY disturbing secrets are revealed... the kind of secrets that are better kept in the basement. How could Uncle Max keep this secret for so long? Promises are made as the story unfolds. And promises, even deadly ones, must be kept!
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
It's sexy, regardless of what else is going on.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
A man found himself stuck inside the passage to the subway exit on the way to work.