"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

In the tradition of The Texas Chainsaw Massacre and Last House on the Left comes DeadHouse. When 4 teens get stranded on their vacation, they seek help at an abandoned house. Unknowingly to them the house contains 2 psychotic killers, Kain and the clown masked Victor. Now they are captured and held at the mercy of the house's residents. They must now learn to put their differences aside and try to survive their last night at DeadHouse.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
A direct fall into the white savior narrative
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.