'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

Martin Sanders (Andres Bagg), a socially awkward recluse whose only entertainment comes from eavesdropping on other people's private conversations, gets a shock when he overhears the devilish plottings of a serial killer who lives in his building. Now, Martin knows the killer's voice -- but can he discern the murderer's face from a sea of strangers before he claims another victim? Virginia Lustig and Chris Longo co-star.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.