Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

Suzanne, a single parent and succesful lawyer, returns home to find her daughter missing. About to call the police, she is confronted by a disembodied voice warning her that if she attempts to leave or seek help, her daughter will die. Suzanne discovers she is being monitored through surveillance cameras operated by the tyrannical voice. The voice informs her that in order for her daughter to live, Suzanne must commit suicide. In a race against time Suzanne must think of a scheme to get a message to the outside world...
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Adam Sandler goes hard as an NBA scout in this male-heavy sports-drama.