Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

De tha me trelaneis esy emena poster

De tha me trelaneis esy emena 

Athens, 1960s. Pavlos, a heartthrob womanizer, suddenly finds himself entangled with four women who are vying for his attention. Rene, a light-hearted, charming coquette; Carmen, a jealous, domineering young woman; Annouska, a strict, passionate woman; and Dora, his girlfriend for the month. Pavlos, who has no idea how this mess came about, tries to extricate himself without any of them finding out about each other. His allies are his loyal gay servant, Julius, and his shy cousin, Vangelis, who comes from the village to Athens to find a good girl to marry. The confusion begins, and while Pavlos, who is terrified of the idea of marriage, tries to get rid of them, they resist and seem determined to claim him, come what may. But nothing is as it seems.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Athens, 1960s. Pavlos, a heartthrob womanizer, suddenly finds himself entangled with four women who are vying for his attention. Rene, a light-hearted, charming coquette; Carmen, a jealous, domineering young woman; Annouska, a strict, passionate woman; and Dora, his girlfriend for the month. Pavlos, who has no idea how this mess came about, tries to extricate himself without any of them finding out about each other. His allies are his loyal gay servant, Julius, and his shy cousin, Vangelis, who comes from the village to Athens to find a good girl to marry. The confusion begins, and while Pavlos, who is terrified of the idea of marriage, tries to get rid of them, they resist and seem determined to claim him, come what may. But nothing is as it seems.

Rating:
Genre:Comedy
Written By:Panagiotis Kapodistrias
In Theaters:
Box Office:

Runtime:

Studio:Antenna TV

Articles You May Like


The Rise of Skywalker, the Fall of Rey

It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.

Andrew Stilson