De Nuremberg à Nuremberg
Frédéric Rossif and Philippe Meyer draw the terrible fresco of the Second World War of the rise of Hitler and the Nazi party until his ultimate defeat (1933-1945). While carefully describing the sequence of events, they go back to the genesis of fascism, and the picture they draw from this first half of the twentieth century is both lucid and frightening. A page of history illustrated by a large number of unpublished documents.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Frédéric Rossif and Philippe Meyer draw the terrible fresco of the Second World War of the rise of Hitler and the Nazi party until his ultimate defeat (1933-1945). While carefully describing the sequence of events, they go back to the genesis of fascism, and the picture they draw from this first half of the twentieth century is both lucid and frightening. A page of history illustrated by a large number of unpublished documents.
Rating:
Genre:History, Documentary, War
Written By:
In Theaters:
Box Office:
Runtime:180 minutes
Studio:
Cast
Articles You May Like
The Magic and Spirit of the Holidays in "48 Christmas Wishes"
A Christmas tale that everyone is wishing for, and that everyone will remember.
“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.
'Concerto For Humanity': The Eras We Live In
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
The Burden of History and the Phenomenal Women of “Miss Juneteenth”
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
In The Heights: The Case for Diversifying Diverse Films
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.