'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Like every year, André, manager of a company named ALTER NATIVE that furnishes sanitary article, invites his seven employees to a quietly festive Christmas weekend. Yet, unlike the years before, André has bad news. He is terminally ill and wants to hand over his company to one of them. He will announce his successor in the course of the weekend. His collaborators immediately turn into competitors. When his own son, Philippe, whom nobody knew about, makes a sudden appearance, cards are redistributed, but suspicion quickly arises that André plays a deceptive game. While his employees, in a crazy race behind the back of the others, try to make their mark, Philippe tries to understand the obscure game his father is playing. And what role does the hotel owner play in all this? Jingle bells? Jingle bells!
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
The enthralling prequel and 5th installment in 'The Hunger Games' film franchise.
After his family fled to England after the Vietnam War, Kit returns home to Saigon.