Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

In modern-day Kanazawa, writer Tokuda Shūsei returns to his hometown and is quietly drawn to Okine, the daughter of a fading inn. Inspired by four of Shūsei’s works, director Shinji Aoyama (Desert Moon) transforms the inner world of a Meiji-era novelist into a meditative film that drifts between memory and the present, culminating in a luminous live performance that dissolves the boundary between art and life.
Not every silence is empty. Some are filled with things too heavy for words.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.