Robert Lahnstein, feared TV commentator, doesn't like people, not even at Christmas. He wants to be alone - even on Christmas Eve. He thinks Christmas is just as hypocritical as politics. That's why he packs his SUV with a frozen goose and a Christmas tree to retreat to his lonely cabin in the mountains. But the plan ends for him in a tree. With the last of his strength he reaches a barn. But he is not allowed to be alone even in the deepest wilderness, because other people have also sought shelter from the snowstorm in this barn and Robert Lahnstein has to gradually put aside his rudeness and his prejudices.
Joseph Vilsmaier
Director
Fritz Wepper
Robert Lahnstein
Michael Roll
Thomas Sattler
Kristina Sprenger
Simone Jacob
Ruth Drexel
Rita Waltleitner
Gerd Silberbauer
Konrad Neuberger
Julia Cencig
Felicitas Fernandez
Oskar Weiskopf
Moritz Sattler
Gunther Gillian
Martin Lahnstein
Hans Rainer
Gustav
Herbert Strein
Klaus
Johanna Lindinger
Regine Hahn
Movie explained - Despite the glaring flaws present, Young Adult Matters is held together by the performances from Yoo Mi and Hani, who keep the story afloat. Though an interesting story, Young Adult Matters is worth watching solely for these performances. Among its brilliant performances is a messy, self-indulgent, and at times overwhelmingly brutal story with more potential than follow through.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
'Spiderhead' is Netflix's latest high high-concept Sci-fi offering in the acts of Chris Hemsworth, Miles Teller, Jurnee Smollett, and Mark Paguio
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved