Dug is the Real Hero of Disney/Pixar’s “Up”
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
Das schwarze Gesicht
During the silent film era, Mara Chukleva was perhaps the most famous actress of Bulgarian origin. Success came to her in Italy during the heyday of Italian silent cinema; later the actress worked in Germany, where she starred in the film Blackface directed by Franz Osten.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
During the silent film era, Mara Chukleva was perhaps the most famous actress of Bulgarian origin. Success came to her in Italy during the heyday of Italian silent cinema; later the actress worked in Germany, where she starred in the film Blackface directed by Franz Osten.
Rating:
Genre:Drama
Written By:Johannes Brandt
In Theaters:
Box Office:
Runtime:51 minutes
Studio:Münchner Lichtspielkunst
Cast
Articles You May Like
Reclaiming Wanda for the Women: The Female Gaze in 'Multiverse of Madness'
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
I Felt so Disconnected from 'Last Night in Soho'
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
'RRR': A Blockbuster of Spectacular Yet Predictable Proportions
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.