"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

In 1898, barely 18 years old, the German Hans Schomburgk, a native of Hamburg, set foot on the black continent for the first time. In 1912, he was admitted to the Royal Geographical Society in London and convinced a production company to finance his first film expedition to Africa. Two years later, the apprentice director achieved immense success with the documentary "Hiking and trails in Africa". Tested by the two world conflicts - the Allies confiscated his reels during the Great War, just like the Nazis, in 1940 - Hans Schomburgk managed to bounce back by setting out again to film the endangered wildlife of Kruger Park or the ancient traditions of the San, until to his farewell to Africa in 1956.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
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