Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a scientific experiment, causing the extinction of many native species. Its meat is exported everywhere in exchange for weapons, creating a globalized evil alliance on the lake shores. An infernal nightmare in the real world that wipes out Darwin's Theory of Evolution.
Hubert Sauper
Director
Elizabeth 'Eliza' Maganga Nsese
Self - Pilots' Girlfriend and Singer
Raphael Tukiko Wagara
Self - Night Guard
Dimond Remtulia
Self - Fish Factory Owner
Marcus Nyoni
Self - Airport Police Officer
Sergey Samarets
Self - Ilyushin-76 Captain
Jonathan Nathanael
Self - Young Painter
Msafiri 'Safiri' Habat
Self - One-legged Street Boy
Dima Rogonov
Self - Singing Pilot
Vladimir Tarasenko
Self - Air Navigator
Jura Biriuchev
Self - Freight Supervisor
Stanislav Ivanchenko
Self - Radio Engineer
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
This reboot of The Wonder Years is told from the lens of a Black man.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.