"Dark Zone Thirteen" reveals the tales from the infamous thirteenth issue of a lost pulp magazine. Some People Speculate it couldn't be released because it was cursed. Perhaps it was too dark? Regardless we found it, and we're sharing the scary stories that for years have been unseen.
Joe Sherlock, Filip Hanzek, Jon Stone, Joseph Voegele
Director
Jackey Neyman
Dr. Tamsia Mobius
Mitch Archibald
Second Theater Couple
Dee Alsman
Rachel
Jason Aguayo
Theater Patron
Melody Berg
Melanie
John Bowker
Man on Screen
Mickey Hanec
Petra, Make Up Artist
Filip Hanzek
Boris
Emily Howard
Heidi
Roxxy Mountains
Ella
Prudence Nightengale
Jennifer
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.