EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

The Third World War happened and ended with the collapse of the world’s economic system. Humans live without any rules. Rich people are gods. Poor people become slaves and toys of upper class people. Three girls, Run, Fear and Irene join the game as toys of the rich for different reasons, and the loser must die.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
An original animated movie in the Wimpy series based on the book Cabin Fever.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.