A short film about people interacting in traffick. We're all involved in this problem whether we want it or not.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
