Beautiful "Materialists" Can't Quite Find Its Footing
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.

A horror movie anthology: "She's Bad, She's Blonde, She's Lunch" follows a couple as they hold up a store to pay the rent, then take an ill-fated trip to Lover's Lane, where they meet a man involved in genetic research. "Cardinal Sin" features a young man who escapes into Hustler fantasies and must avoid his overbearing and religious mom. In "Pet Shop of Death" a henpecked husband goes to a specialty pet store to get something to help free him up so he can pursue his neighbor. "Last Love" is about a psychiatrist who is forlorn over the loss of her husband, and takes steps to make her affair with his ghost more permanent. Finally, in "What Goes Around..." a composer who can't create music since the death of his wife and child finds new inspiration from the affair with a femme fatale.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.