Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

Dark, the debut feature film of up-and-coming Chicago-based indie filmmaker Darryl Bullock, became an official selection at the 2003 Toronto International Film Festival, Chicago International Film Festival, Urbanworld Film Festival, and American Black Film Festival, and receives its first home video release from Cheeseburger Films. It tells the story of one Dark Freeman (Jason Bonner), a young African American man who finds himself torn between his tough urban roots - living as a resident on the impoverished, crime-ridden south side of Chicago - and his day-to-day life, in the comparatively wealthy and privileged University of Chicago, where he is enrolled as a student. Walking between the two worlds, Freeman must find a way to succeed in both, with the help of lovers, family members, close friends and acquaintances.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.