'65' is the Latest Dinosaur Flick in a Jurassic World
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"

Tanya and Nøk run the popular channel "Dare Divas" on Youtube, where they take dares from their viewers. In their latest 'episode' they are dared to hitchhike to Amsterdam. The catch? No luggage and no phones. No problem. The girls head out on a new adventure. What follows is their own recording of the trip.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Want a list to watch some of the best Japanese anime films of all time? Check out this article which presents some anime films that will keep you glued to your couch!
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.