Daphnis and Chloe: The Young Lovers 

With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.

Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.

The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.

I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.