Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Set during the years between the "Rebecca" trial and the writing of Du Maurier's short story "The Birds", including her relationship with her husband Frederick 'Boy' Browning, and her largely unrequited infatuations with American publishing tycoon's wife Ellen Doubleday and the actress Gertrude Lawrence.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.