EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Danny Bishop is a gambling prodigy. After exiling himself to prison, he returns to his brothers home only to find himself back in the game because of a large debt for his protection in prison. He cons a group of high stakes gamblers, including his vicious rival, Alex, to a tournament. The story is a delicate balance between the tension of the game and the strained relationship with his brother.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.