At the entrance of a jazz club, one rainy night, a teenage drug dealer awaits the arrival of his best client: the club's singer. But what he believes to be a routine deal turns into a final farewell. She tells him that she is leaving the next day. Despite the ban on him not to enter the club, he decides to take a risk and go in to listen to it for the last time.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
A summary of the films featured in this annual event taking place in Westchester.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
