“Where Fireflies Dance”
An indie production of a romantic drama with a country-western feel meant to explore lost love.

Picks up where the first film left off, with Mina and Markus heading to Los Angeles to star in a music video. What at first seems like a dream trip becomes challenging for Mina when she learns that her parents are going through a breakup.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.