“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

This documentary short, produced for West Virginia public TV's "Different Drummer" series, introduces us to Jesco White, a hard-living, tap-dancing Boone County resident whose repeated run-ins with the law have interfered with his dream of becoming as renowned a "mountain dancer" as his late father, D. Ray White. We meet Jesco's three distinct personalities; the gentle and loving Jesse, the violent and dangerous Jesco, and the extremely strange Elvis. We also encounter various members of Jesco's family, all nearly as eccentric as Jesco himself. You will ask, "Are these people for real?" Yes, they are.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
Love Hard is a Christmas romcom about two people who fall in love while pretending to date. It’s a romantic and fun watch. If you can forget the catfishing.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.