“Dangerous Lies” is as Predictable as Can be
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

NYC, 1940. Chilean boxer Arturo Godoy and driven dancer Leda Urbinati arrive in the city chasing the American Dream. But when an immigrant opportunist offers help, friendship turns into a dangerous love triangle, where ambition corrupts, dreams darken, and loyalty shatters.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Shakti’ is a survival guide for women all over the world.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.