'Moonlight': A Retrospective on Barry Jenkins' Masterpiece
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

The dance performance “Kontakthof” bears the unmistakable signature of Pina Bausch: it deals with forms of human contact, encounters between the sexes, and the search for love and tenderness, with all its attendant anxieties, yearnings and doubts. It is a dance about feelings, which always pose a big challenge – particularly for young people. Teenagers from more than eleven schools in Wuppertal went on an emotional journey that lasted almost a year. Every Saturday, forty students aged between fourteen and eighteen years of age took part in rehearsals that were led by Bausch-dancers Jo-Ann Endicott and Bénédicte Billiet and intensely supervised by Pina Bausch herself.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.