Discovering Self-Identity in Santa Girl
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.

Daku (1955) is a gloriously chaotic, pulp-masala gem from the Wadia Brothers, directed by Babubhai Mistry, the godfather of lo-fi epic fantasy. It stars a young, irrepressible Shammi Kapoor, the fierce and fabulous Shashikala as his heroine, and the ultra-glam Kuldip Kaur as the royal vamp.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
An episode of "The Sopranos" articulates an identity crisis unique to the Italian-Americans and demonstrates how Indigenous communities are pushed aside in the ensuing debate.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.