Luisa is raped by an unknown assailant a few nights before she is wed to Jake. When Jake discovers Luisa's prenuptial chastity is in question on their first night, violent events unfold. Poor Luisa is a battered victim and reacts chillingly. Tit for tat. Fire against fire. Dreams become nightmares, love turns to rage.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Released on Disney+ during the pandemic, this musical tells the story of founding father Alexander Hamilton and depicts the formation of the United States with a diverse cast.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
