Sirāt: No Lesson to Learn
The one-way journey went to the desert that refused to offer an answer or a transcendence.

Known to her clients as Dagmar, she's a classy Swedish call girl in Copenhagen. After two years, she's ready quit, and we follow her on what she hopes is her last day in the trade. She wakes at 9 AM, gets her first call and a marriage proposal, checks in with her doctor, pays final visits to various clients, arranges to lease her flat, passes on her black book to a colleague, tries to beg off on an impromptu session with Japanese businessmen, has a quick conversation with her brother, and makes a couple of charitable contributions. All the while, her eyes on the clock, there's the threat of her pimp finding out about her plans. If she pulls it off, what awaits?
The one-way journey went to the desert that refused to offer an answer or a transcendence.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
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At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.