Dagit 

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Disney movies have taken a bit of a downward turn recently. How come?

There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.

Mean Girls not only centers around what goes on in high school, but also shows viewers and fans the diversity among people, especially teenagers, within today's society.