Dad Is Pretty 

Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.

The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.

Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

Korean culture shines in this Canadian export.