Karoline Gluth is approaching forty, has an 18-year-old son who is studying and is therefore independent. She decides to start a new life and says goodbye to the family inn on the island of Rügen, where she earned a good living as a cook. She buys a little house on the outskirts of Berlin - based on a photo. The reality, however, looks less favourable than the picture. The house is close to collapse and has an illegal occupant, Christian. She evicts him, but he helps her through the jungle of organising tradesmen and materials. In the process, she meets construction brigadier Herbert Kotbuß, clashes with him - and impresses him. Karoline struggles through, the money runs out, she even has to sell her car, and in the end the house is still pretty much a patchwork. But she has realised her ambition for herself - a new independent life begins.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
Based on the bestselling memoir, viewers get a glimpse of the challenges of autistic people.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
In honor of AANHPI Month, let's celebrate Filipina-American pop star Olivia Rodrigo and her love of horror movies.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
