Juneteenth: Don’t Worry about Slavery, the White People Fixed It
Juneteenth is a day to commemorate the emancipation of enslaved people in the United States on June 19th, 1865. We did it! Everyone is free! Everyone is equal! End of story, right?

Kuzey runs a hotel called Karayel in Eski Foça with his friend Sami. In 1998, a young and beautiful woman named Şafak comes to Eski Foça to conduct research on Greek villages and stays at the Karayel Hotel. Şafak falls in love with Kuzey, but Kuzey only cares for her. Şafak leaves Kuzey five times, but always returns… On her final departure, she disappears while driving away. All searches prove fruitless; Şafak is missing. Kuzey continues searching for Şafak for five years with his friend, the fisherman Yunus… In 2003, Çiğdem arrives at the hotel. Çiğdem, who is Kuzey’s brother’s assistant, takes on the hotel’s debts and saves it from bankruptcy. During this time, Çiğdem also develops feelings for Kuzey. This only serves to remind Kuzey of Şafak once again. After Fisherman Yunus tells him that he found the remains of Şafak’s car underwater, Kuzey leaves the hotel. He goes to the same place to meet Şafak…
Juneteenth is a day to commemorate the emancipation of enslaved people in the United States on June 19th, 1865. We did it! Everyone is free! Everyone is equal! End of story, right?
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.