Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Across German screens at the outbreak of WWII streaks "DIII88: The New German Air Force Attacks", an aeronautic and maritime spectacle glorifying Hermann Goring's Luftwaffe and the spirit of the newly arisen Germany. Once war became imminent, Joseph Goebbels instructed the German film industry to initiate production of numerous militaristic projects, but DIII88 was initiated by the Propaganda Minister's rival, Goring, who commissioned several aviation pictures. DIII88 is not a war picture per se, because it takes place in peacetime, but the young, fresh-faced air aces enthusiastically look forward to the coming war. The propaganda is blatant: The only thing that matters is dedication to duty and unconditional commitment to the Fatherland.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.
Have a Good Trip offers a rather balanced look at psychedelic use. While its main narrative is the stories of recreational use by celebrities, it does delve into the medical history of psychedelics and its use in psychotherapy.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.