Czechia(wo)men 

Like most young people, Leviticus is imperfect.  But I love it anyways. 

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.