‘Little Boxes’ Had Good Intentions, But...
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.

It's a tale of two shocks. 1992, Les Nuits fauves hits theaters. 1993, Cyril Collard dies of AIDS. The artist and his film caused a scandal in 90s France, which suddenly realized the violence of the epidemic and the upheaval it would bring for its children... Collard's work still resonates today, through its depiction of the rage of life and sexual freedom, and the courage it takes to face up to the inevitability of the virus. This documentary is supported by powerful archive footage, allowing us to rediscover the destiny of a striking artist. It is also based on the testimonies of those who knew him and agreed to talk about who he was, the driving forces behind his rebellion and his way of creating. The film is also punctuated by readings from some of the thousands of letters sent to Cyril Collard, revealing what it was about his work that struck a chord with viewers, especially younger ones.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
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Word of mouth has been incredible, but the film's faults cannot be ignored.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
In a Whisper is a coming out narrative, but it’s also a story about multiple mother-daughter relationships and the necessity of family.